I've just watched two pieces of Hong Kong cinema - one good, one bad. One marks a return to all the things that make classic kung-fu flicks fun. The other is all cynicism and obtuseness, competing to see which will manage to jettison more of that good old stuff to make room for Hollywood cliches, which are neither fully funded nor understood; with the result that the thing looks - and feels - like an expensive commercial for the next generation of mobile phones hallucinating it is an X-Men movie.
The good is Drunken Monkey; the bad is Silverhawk. (Michelle Yeoh can't seem to follow up "Crouching Tiger" with anything. Someone should give her a role.)
I don't know how available these films are in the states. They are major releases out here, and "Monkey" showed at Cannes. Well, anyway - worth getting your paws on. Check out the trailers and galleries via the link above. (This promo trailer is particularly classy.)
The director/star of "Monkey" is Liu Chia Liang, a true veteran of the industry (but I don't really know about these things.) He's over 60, and he's got this great assymetrical sag of a monkey-clown face, but with a steely Clint Eastwood glint. And he's still got the moves. (You see lots of great stills in the galleries.) The movie is sort of a cross between "Drunken Master" and "Unforgiven" - lots of indestructible-old-man-fu and leather duster-fu. (That's the "Unforgiven" part, with fu on top.) But goofy. And everyone is obviously having so much fun making it that they didn't bother to remember they set it in the 30's, so there's a basketball scene that is most anachronistic. And people wearing suits and shirts that obviously just came off the rack at the Gap. But they are having fun, and we like them, so we are having fun.
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